Is Love quantifiable? Is Love a place, state of mind or all just in our imagination? Using the wisdoms of great thinkers like Erich Frohmm, bell hooks, Thich Nhat Hanh, Thomas Merton, Marianne Williamson, Ghandi, Dr. Martin Luther King Jr., Mother Theresa, while borrowing from teacher/prophets such as the Buddha, Jesus Christ, Mohammad, and syncretized with the art of poets like Rumi, Pablo Neruda, Lord Byron and many others, Author Alex Paramo ascends on the journey towards finding the secrets to love in it’s truest form.
“Although I believe myself to be a romantic, passion-filled person, I often find myself wondering about the ‘mechanics’ of Love. Join me every week on this journey through the chambers of our heart, the spaces in our soul and the electro-mechanics of our brain in search of answers that will unlock the keys to happiness.” – Alex P.
Reflections on the anniversary of the assassination of Dr. Martin Luther King Jr.
The choice between madness or incompetence is not a new one. It seems that throughout human history, or at least US history, we have been confronted with this choice. After all, as I write this article, we are dragging our feet in choosing between helping Palestinian innocents (over 14,000 children murdered) while selling / giving tax payer paid for weapons to Israel. We recently had to choose between the healthcare industry profits (excluding providers – MD’s, Nurses etc.) and the wellbeing of our most vulnerable (elderly and at-risk) during the COVID pandemic, where we have lost over 1.15 million Americans. During WWII, we delayed in choosing whether to join the war against Germany, fully aware of the Holocaust against Jews, or remain neutral while over 6 million were being slaughtered by the Nazi’s.
Dr. King’s Legacy
The discussion of Dr. King’s assassination on the 56th anniversary of his murder related to madness or Incompetence begins with one of his landmark accomplishments: The Voting Rights Act of 1965.
Voting Rights Act of 1965
This act was signed into law on August 6, 1965, by President Lyndon Johnson. It outlawed the discriminatory voting practices adopted in many southern states after the Civil War, including literacy tests as a prerequisite to voting.
Historically and unconstitutionally, impediments to voting had been established in conservative states that prevented many African Americans from voting. Thanks to Dr. King and other civil rights leaders, the Voting Rights Act of 1965 was passed and pushed away all those obstacles and finally allowed for close to full African American participation in our democracy.
The Regress of Progress
In 2022, a Center for Public Integrity investigation found unequal access to voting and political representation in all 50 states. Twenty-six states — all under Republican control — made access to voting less equal for people of color, younger voters, immigrants, people with disabilities and others following former President Donald Trump’s 2020 re-election defeat.
How could we let our country descend into madness? Who were the stewards that were charged with keeping the hard fought gains made by Dr. King and his generation of social justice champions? That’s where the incompetence comes in. Since the 1980s we have seen a two party sponsored corruption of our political system, allowing for unlimited $$$ campaign contributions via Super PAC’s and other dark money sources. Many of the perceived longtime stalwarts of the Democratic Party such as the Clintons, Nancy Pelosi, Ruth Bader Ginsburg, and Joe Biden (among others) did not launch efforts at Campaign Finance Reform. Towards the contrary, these folks colluded against campaign finance reform leaders such as Senator Bernie Sanders with is Get Money Out of Politics movement.
Unrepresented
Why you ask? Because there are large sums of money to be made by all by accepting multimillion contributions from the National Rifle Association, the health insurance companies, the Oil and Gas industry, “Big Pharma”, to mention just a few. Polls consistently show that, for example, most Americans support an assault weapons ban, most Americans support abortion rights, and most Americans support limiting the amount of money donated to political campaigns. In short, our representatives are no longer representing us. To be clear, the vast majority of our elected officials from both parties have their hand in the big money financial contribution pot. Due to this legalized bribery, our “representatives” have allowed for the initiatives that Dr. King fought and died for to be rolled back.
The solutions lie with us, the voting populace. We must demand that all elected officials be subject to campaign finance regulation, where candidates have an allotted amount of $$$, given out equally to those who meet a signature threshold. We will not see a healthy democracy restored until financial gain is not an incentive to run for political office. That has to be our litmus test for any candidate running to “represent” us be it locally or nationally.
Alex Paramo
Alex is the Founder of Community Publishing. Community Publishing is dedicated to creating virtual space for community based artists of all media (writers, painters, photographers, musicians, etc…) to collaborate on multimedia book projects with the purpose of promoting their work. Alex has authored two children’s books that were adapted for the Theater – Princess Marisol & the Moon Thieves and Princess Marisol & the Portal. Alex, with his daughter Marisol, will be releasing the third book in the Princess Marisol series,Princess Marisol Presents the Wisewoman & the Moon.
Alex also writes music review articles, and is the host of the film focused podcast smARTalk. Alex is a Social Studies teacher and serves on the Board of KUNM, a public radio station based out of Albuquerque New Mexico. Read his full bio here.
Princess Marisolreturns in this third installment of the Princess Marisol series! Facilitated by an award from the City ofAlbuquerque Urban Enhancement Trust Fund (UETF) Resiliency Residency program, Author Alex Paramo is joined by award winning Author (Bella the Caterpillar) Marisol Paramo! This father-daughter team brings you the prequel of the trilogy, where readers enjoy the tale of origin story of the Wisewoman and Metzli the Moon.
Alex and Marisol Paramo – Authors
Author Alex Paramo, author of the two previous Princess Marisol books, states, “I am excited to tell the tale of how the Wisewoman and Metzli the Moon met within a book that appeals to young children and folks of every age. To be able to tell this story with my muse and wonderful daughter Marisol is a dream true.” Co-Author Marsol Paramo, who was the youngest recipient of the New Mexico – Arizona Book Awards at 10 years old states, “with the Wisewoman character, I wanted to touch upon relevant topics while still appealing to children.” Illustrator Audrey McNamara also returns to this talented cast of artists of all mediums. McNamara states, “Alex has done a great job of nurturing the Princess Marisol character throughout this series of books. I am so excited to continue to bring his and Marisol’s literary vision to the canvas, and the pages of this book.” Furthermore, McNamara stated that “Princess Marisol is an example of how young people can be brave and strong, and take action that can change the world.”
Chris Brennan – Music Director
The Answer
The theme song for this book is called “The Answer” an original piece by Albuquerque based Reggae-Rock band Reviva. Singer and songwriter Chris Brennan penned a song about finding solutions to personal and societal problems within ourselves. The theme of The Answer is woven seamlessly by the Paramo authors in this magical tale set in Central New Mexico. Chris has been named the Music Director for this multimedia book project and he plans on bringing in many luminary contributors from the local, national and international live music scene.
Cast of Creatives
New Mexico Music Award recipient Jackie Zamora (vocals, Baracutanga) returns as the voice of the Wisewoman. “It’s been wonderful to see Marisol grow as a young woman, Author and Voice Actor. For her to be the face of this series is inspiring to many young women in New Mexico and across the country hoping to see themselves represented in books and media” Zamora stated. Reprising his role as Metzli the Moon is award winning English Actor Jamie H. Jung. Jung, known for his work on the CW TV show Roswell, is excited about reprising his role as the Moon. “I started in theatre,” Jung stated, “and continue to gravitate towards collaborative teams of artists who bring a diversity of life experiences and creative strengths to bear on a handcrafted project.”
The Urban Enhancement Trust Fund
The Urban Enhancement Trust Fund (UETF) is a public endowment created by the Albuquerque City Council in 1983 to fund both capital and cultural projects. In 2004, the City Council amended the ordinance to provide that all funds available from the endowment should be directed to cultural projects.
PRE-SALE – Author Signed Copies!
Princess Marisol Presents the Wisewoman & the Moon is now available on Pre-Sale! So what is Pre-Sale? Pre-Sale is the time between completion of the book and its availability on all the major platforms, including the publisher’s website. Ordering your Pre-Sale copy will guarantee you are purchasing at a discounted price AND having your copies signed by the father – daughter author team – Alex and Marisol Paramo (who also happens to be the voice of Princess Marisol, our narrator).
Be the First to Know!
Subscribe to Community Publishing or Follow Alex Paramo’s Author Page on Facebook to stay in the know about release dates, giveaways, events, signings and more! Community Publishing is from the community for the community! Thank you for supporting local arts!
Join us for a FREE open house event, refreshments will be served! This is a well-spaced outdoor and indoor event, with artists spread out throughout the FUSION campus 700 1st Street NE, Albuquerque. Join the ten Rail Trail Time Travel artists and enjoy interactive stations and art projections. Explore ideas for how to enjoy art on the future Rail Trail..The outdoor projections are best seen after dark.
Artists:
Jennifer Gomez Schoenholzer, Armani Leon, Elizabeth Salazar, Jai Myer, Alex Paramo, Hong Yan, Joshua Patterson, James Black, Andrew Fearnside, Susana Garcia DominguezCome on by and take a peek at the ongoing development of the FUSION campus, we would love to see you!
Community Publishing Announces Live-Stream / Podcast Promoting New Mexico Arts & Small Business via Film Industry Professionals
ALBUQUERQUE, NM December 14, 2020 – The Albuquerque based media company, Community Publishing, is announcing the launch of a new hybrid Live-Stream / Podcast on Friday January 1, 2021 and every Friday thereafter. Sponsored by the leader in podcasting, Anchor FM, smARTalk will leverage the Film Industry Professionals in New Mexico to help promote the New Mexico Arts (of all mediums) community and small businesses by interviewing said professionals about their New Mexico based film projects. The show will be Livestreamed on Facebook and Twitter but will also be available to listen to as a podcast via Spotify, Google Podcasts and Apple Podcasts.
Film Industry Actors, Directors, Screenwriters and other Professionals will be interviewed in 2 segments where they will discuss their specific project and their experience in New Mexico. Smaller micro-segments will feature New Mexican visual artists, musicians, writers and entrepreneurs. A veteran of the TV industry, the show’s host, Alex Paramo, will be pushing his guests to reveal social issues that they are passionate about. “To have an insightful, entertaining and meaningful conversation, I will be focusing on social causes that these folks are committed to working on. A great many folks you see on-screen have dedicated their time and resources to innovative and important social projects and that is what we will focus on.”
The premiere episode will feature City of Albuquerque, Cultural Services Deputy Director Hakim Bellamy. Mr. Bellamy is also Albuquerque’s Inaugural Poet Laureate, Author and Emcee. The micro-segments will feature local small business owner Mike Silva of Rude Boy Cookies, Chris Brennan of Reviva, Author Audrey McNamara, and Painter Lynnette Haozous. smARTalk Production Manager Colleen Elvidge states, “We want this show to be as representative of New Mexico culture(s) as possible. In leveraging the film community filming in New Mexico – Netflix, Universal Studios – we are aiming to shine the spotlight on the incredible group of talented artists of all mediums that are unique to New Mexico.”
Community Publishing is locally owned and operated out of Albuquerque, New Mexico. Founded in 2015, Community Publishing publishes multimedia books & blog articles from artists of all mediums. The independent media company is focused on providing a platform for diverse content from creators of traditionally underrepresented communities. #####
Community Publishing Announces Live-Stream / Podcast Promoting New Mexico Arts & Small Business via Film Industry Professionals
ALBUQUERQUE, NM December 14, 2020 – The Albuquerque based media company, Community Publishing, is announcing the launch of a new hybrid Live-Stream / Podcast on Friday January 1, 2021 and every Friday thereafter. Sponsored by the leader in podcasting, Anchor FM, smARTalk will leverage the Film Industry Professionals in New Mexico to help promote the New Mexico Arts (of all mediums) community and small businesses by interviewing said professionals about their New Mexico based film projects. The show will be live-streamed on Facebook and Twitter but will also be available to listen to as a podcast via Spotify, Google Podcasts and Apple Podcasts.
Film Industry Actors, Directors, Screenwriters and other Professionals will be interviewed in 2 segments where they will discuss their specific project and their experience in New Mexico. Smaller micro-segments will feature New Mexican visual artists, musicians, writers and entrepreneurs. A veteran of the TV industry, the show’s host, Alex Paramo, will be pushing his guests to reveal social issues that they are passionate about. “To have an insightful, entertaining and meaningful conversation, I will be focusing on social causes that these folks are committed to working on. A great many folks you see on-screen have dedicated their time and resources to innovative and important social projects and that is what we will focus on.”
The premiere episode will feature City of Albuquerque, Cultural Services Deputy Director Hakim Bellamy. Mr. Bellamy is also Albuquerque’s Inaugural Poet Laureate, Author and Emcee. The micro-segments will feature local small business owner Mike Silva of Rude Boy Cookies, Chris Brennan of Reviva, Author Audrey McNamara, and Painter Lynnette Haozous. smARTalk Production Manager Colleen Elvidge states, “We want this show to be as representative of New Mexico culture(s) as possible. In leveraging the film community filming in New Mexico – Netflix, Universal Studios – we are aiming to shine the spotlight on the incredible group of talented artists of all mediums that are unique to New Mexico.”
Community Publishing is locally owned and operated out of Albuquerque, New Mexico. Founded in 2015, Community Publishing publishes multimedia books & blog articles from artists of all mediums. The independent media company is focused on providing a platform for diverse content from creators of traditionally underrepresented communities. #####
Community Publishing is excited to announce the return of our hugely popular podcast smARTalk! smARTalk will now broadcast out of KUNM at the University of New Mexico (89.9 in New Mexico)! Sponsored by the leader in podcasting, Spotify’sAnchor FM and hosted by Author-Educator-Media Personality-Community Organizer Alex Paramo, smARTalk is a podcast show where we invite “Guest Stars” – Film Industry professionals: Actors, Directors, Writers, Producers etc to discuss and help provide progressive solutions for issues that are pressing in our society at-large. Additionally we will be “Featuring” local visual artists, musicians, writers and local business owners to discuss their latest endeavors! Focusing on finding progressive-minded solutions to our most pressing issues, smARTalk promises to bring attention to the unique New Mexico Arts industry which originates from an diverse blend of Native American, Hispanic and new arrivals into the state, that is exclusive to the Land of Enchantment. (Find our show archive below) For Press info Please Click Here
Parties interested in appearing on smARTalk either as a Guest Star or on the Feature segment, please email our Production Managerat booking@communitypublishing.org. Interested in advertising on smARTalk? Please contact us – ads@communitypublishing.org.
May 5, 2021 Jason Asenap – Filmmaker Glenn “Buddha” Benavidez – Musician – Revíva Celina Gonzales – Yoga Instructor – Mariposa Music
March 19, 2021 – Music Show – Tesuque Revolt Michael Garcia – Vocalist – Animation Matias Pizarro – Percussion – Programming Gustavo Lopez – Bassist – Logistics
March 12, 2021 Lauren Poole – Actor, Musician – Prism Bitch Band Stephanie Galloway – Painter Myles Chavez – Musician –The Riddims
March 5, 2021 – Show Sponsor – Slice Parlor Daniel Cummings – Producer – Slayers Movie K. Asher Levin – Director – Slayers Movie Erin Hansbrough – Candidate – Ward Chair Gilbert Uribe – Musician / Show Host – The Xchange
I once was a college sports fan. Way back when Patrick Ewing used to patrol the lane at Georgetown and the Big East was full of beast teams, I was a fan. As I got older I began turning away from the collegiate game because of the player turnover rate. Players in the NCAA were no longer staying for 4 years and it became harder and harder to identify with a team. I didn’t attend St. John’s University so what connection did I really have to their team if I couldn’t identify the players? To begin with I am no flag waver and besides my alma mater, Queens College, City University of New York is a DII school with an awesome Swimming Team, but hardly a big time sports program.
The Mountain West
When I moved to New Mexico, and attended the University of New Mexico for graduate school, I worked for one of the President’s of UNM where I received a birds-eye view into NCAA Division I athletics. NCAA Division I schools collectively see millions of dollars in revenue individually and billions collectively. The bulk of this money goes to pay Coaches/Administrator salaries and to pay for million dollar marketing campaigns.
Covid 19, as it has in many instances, has peeled the top off of many of our cherished institutions and revealed the true motivations behind their existence: unencumbered profit. It’s one thing to say to adults, “yes there is risk but either you play or don’t get paid.” It’s totally another thing to say to students, “yes there is increased risk but either you play or you can no longer attend school because we will strip your scholarship” and the amenities that it includes, which does not include – a salary.
Sports Center
Let’s be honest, the overwhelming college athletes we see on ESPN are pinning their hopes on becoming professionals in the major sports leagues. The number of athletes who make those major sports leagues is incredibly small. For example, according to the NCAA, only 1.2 of NCAA Mens Basketball Players are chosen for a realistic “chance” to play in the NBA. Similarly, only 1.6 of NCAA Football players are chosen for a realistic “chance” to play in the NFL.
The global pandemic has thrown a whole new set of variables into the equation: healthy life, death and/or a lifetime of illness. University administrators are asking student-athletes to risk their future for a few games that will generate loads of money for their respective universities but no hard cash for them or their loved ones.
Pay for Play for Pay
Under these circumstances, should we force these students to compete without financial compensation that is commensurate with the revenue they generate? Since the NCAA has forbade universities to pay their student-athletes, then these games need to be paused immediately while student athlete eligibility needs to be preserved until the Covid 19 pandemic subsides. What do you think, I would really like to know? Alex Paramo – find out more about me and my previous articles.
Please help support Independent Media by subscribing below. This is a free subscription which will entitle you to free giveaways, books information, book previews, merchandise giveaways, event news, book signing info and more! Thank you. Community Publishing is from the Community for the Community!
Greg Hernandez‘ music career has taken him all over North America, I know because I have had the pleasure to travel with him, but it’s his work for the screen that most challenges him. Hernandez career in creating music scores began with an independent film, Lola’s Love Shack which is a comedy directed by Patrick Perez of Lux III Pictures. The score for this feature length film was co-written with fellow L.A. music veteran and Audio Engineer, Ibo Rodriguez. Hernandez states, “the project was fun because Ibo and I recruited a bunch of other L.A. musicians and it really had a communitarian feel. After this project, Esteban Zul, contributing writer on Lola’s Love Shack approached Hernandez about scoring MonkeyFunkles, another comedy in which Hernandez acted in as well! “That was a lot of fun, I don’t know if acting is my forte, like music, but I had a really good time!” Hernandez said. Find Greg’s Travel Series – Goyo On The Go here
Veggie Burrito’s to Dance For
For his most recent Score, Hernandez teams up with noted L.A. based Chef David Dickson. In Chipotle Marinated Veggie Burritos, Chef Dixon gives up some of his secrets to his award winning recipe! I haven’t tried to replicate Chef Dickson’s Burrito just yet but if the video is any indication, it’s gonna be a bomb full of taste in your mouth! Hernandez will also be working with Chef Dixon on a Black Eyed Peas Curry video slated for later in 2020.
The Good, the Bad and all That
Expressing the music, interpreting the narrative along with the visual is very appealing according to Hernandez. “Audio and music enhances the visual narrative” Hernandez states, “It is a great challenge writing a parallel piece of music for the listener to enjoy.” He adds, “Growing up as a kid I always had an ear for sound and I would gravitate towards the soundtrack / score which told the story for me. I admire Johnny Greenwood of Radio Head he scored, There will be Blood. Steven Copeland of The Police scored the Equalizer which left a deep impact on me. The legends like Danny Elfman, and of course John Williams who mastered the art of theatrics. The late great Ennio Morricone, whose eccentric style of music fit his movies perfectly!”
I mentioned to Greg that I was also effected by the music in movies like the Good, Bad and the Ugly, it seemed like a ballet of entwined notes and images that danced into our imaginations. Hernandez states, “The key with score music, as it relates to the visual, is to find a common theme, look for a genre of music for the visual. Scores are challenging because you have to keep an open mind. The visual directs where you are going to go. The emotion of the actors is also key. Genre of film consistent with the genre of the movie for the most part.”
In the future Hernandez will be working on The Plume, which is a full-length documentary film which demonstrates how military complex polluting native lands from WWII to the Present Day. The Producer is award winning Journalist Franc Contreras who according to Hernandez, “Does a great job showing how this pollution has been detrimental to the Native population, causing health issues including cancer.” Will we see you on the screen again Greg, I asked, “only if it’s another comedy because the set is full of laughs and I get to laugh at myself!.” Yup, I replied, we all need to do that more often.
Please help support Independent Media by subscribing below. This is a free subscription which will entitle you to free giveaways, books information, book previews, merchandise giveaways, event news, book signing info and more! Thank you. Community Publishing is from the community for the Community!
In this weeks article we re-publish an article that originally appeared in print for the organization Food Not Bombs written by Greg “Goyo” Hernandez. Take a listen to Community Publishing’s Author Alex Paramo interviewing Goyo as a prep for the article! Click to read Goyo’s Biography
Goyo Interview: Food Not Bombs
Punk Rock vs Social Media
It was just a mere wink in time when I was a young impressionable punk rocker just embarked on my seminal work as a artist emerging into sonic chaos in a garage of the suburbs of Los Angeles County. It was in the post proto-punk era of the garage land of bands that I found the explosive mid 70’s punk rock sub culture that had barreled all the way from the U.K. , NYC , D.C., which coexisted with California’s hardcore punk rock approach. In this sound I found instant awakening of my nerves, which resonated with the political spectrum of the times leading into Reagan-nomics. What I couldn’t grasp from this music and its lyrical message, heard on vinyl records or cassette tapes, I discovered through fashion, ideology, and fanzine journalism and its neologisms, which helped create and solidify this collective feeling of anti-establishmentism. As the punk rock sub-culture became more pervasive, bands such as Minor Threat carried the flag for the anti-inebriation movement in the United States; the song “Straight Edge” gave the scene a name. The sound was fierce and energetic to my carnivore senses and took a while to figure out this new anti-establishment lyrical message. Nonetheless its aggression was very parallel to the other political agents of punk rock subculture, especially in the hard core movement in California in the very late 70’s-80’s .
The California culture was primarily farming livestock. My family’s and friend’s backyard BBQ meat-eating culture and the Hedonism of suburban beer drinking of our teen adolescence just seems contradictory the very notion of vegetarianism and animal rights. The straight edge movement and its music were like a beacon of light whether or not we got the message. After all don’t most unpopular cultures go through exploitations until it trends? The straight edge movement went through its three eras of counter cultural since its early beginnings in the U.K. In the 80’s the counter-movement in the United States branched out of the bent edge from D.C., to the mid 80’s youth crew which became militant straight edge leading into the 21st century. Although a lot of counter culture groups philosophies bend marginally of their concepts of “a wellness thing,” the core of anarcho-punk and straight edge philosophy adheres to the refraining from alcohol, tobacco, and other recreational drugs, in reaction to the excesses of punk subculture. However most subculture groups could be categorized as adhering to anarchism without objectives, in that they embraced the syncretic fusion of many potentially differing ideological strains of anarchism: animal rights, vegetarianism, environmentalism and anti corporatism. Some anarcho-punks practiced pacifism much like the hippie counterculture or the Hare Krishnas. These avant-garde countercultures shared common moral and ethical code of health and self empowerment practices that elude corporate meat industries and consumerism.
Environmental Justifications
In the early 70s, other activists were considering how veganism might provide a viable alternative to existing food systems. In 1971, Diet for a Small Planet by the social policy activist Frances Moore Lappé introduced an environmental justification for going vegetarian or vegan to a global audience (it eventually sold more than 3m copies). In the same year, counter-culture hero Stephen Gaskin founded a vegan intentional community “The Farm” in Lewis County, Tennessee, bringing together some 300 like-minded individuals. Four years later, The Farm Vegetarian Cookbook by Louise Hagler announced: “We are vegetarians because one-third of the world is starving and at least half goes to bed hungry every night,” and introduced western audiences to techniques for making their own soy-based products such as tofu and tempeh. For so long veganism was synonymous with soybeans and brown rice, not the glamorous vibrant vegan food of today’s youthful practitioners who now radiate positivity from their Instagram feeds and other social media platforms. Photogenically speaking, this really helped to galvanize the hype of the low-attention-span internet age to brand an attainable and sustainable lifestyle change for carnivores to practice an ascetic diet or for the many “flexitarians” of today who still occasionally eat meat or fish. Some hard-line or straightedge vegetarians consider it troubling that the internet has transformed something with such a rich political history into “a wellness thing” that allows would-be consumers to label themselves vegans without having to engage with the “excess baggage” of the ideology.
American writer, Khushbu Shah, has argued that the popularization of veganism via social media has erased non-white faces and narratives from the dominant discourse, as white bloggers and influencers fashion a lifestyle in their image, something anarcho-straight edge punk subcultures would rail against, for their philosophy was to rebel through self-control which is the ability to control one’s actions even if that means the mainstream. Somehow the detail of the veganism political message which is rooted in social justice has faded from view in the 21st century and still perhaps out of fear is demonized as un-dietary and is shunned by people whose beliefs include derogatory name calling unlike other forms of bias (sexism, racism). This negativity towards vegans and vegetarians is not widely considered a societal problem but rather commonplace. As in the past and now vegan conversations of ideology and beliefs still stand with subversive views for environmental and social change, even if it means change to the industrial ways of farming just as the meat industry revolution of the mid 1800’s onwards.
Meat Eating Across North America
As a full-time musician and meat eater touring North America, the notion of where and what I’m going to eat was never too concerning although most of the time the options could be very malnourishing with the way of roadside gas stations and fast food options. But today newer industrialized systems are now starting to be more accessible in the far reaches of the open interstate from what vegans and vegetarian musicians and traveling artist are reporting. Fresh fruit in Europe and Mexico was more abundant to find than in North America and there are places in the world where I found meat is prohibitively expensive for many local people in those regions, leading to vegetarianism or vegan life style by necessity. Often we where graced with great home cooking while navigating through cities which was a great conduit to our anxieties from eating unhealthy even though meat was still a staple in our diets due to our Latin culture but I personally still looked out for fruit and grains which is a continuous challenge.
Vegaphobia
One thing I can’t understand is the phobia or hatred towards vegan or plant based vegetarians. I guess it’s just part of this polarized culture we live in which just reminds me of the 70’s and 80’s, growing up around homophobic assholes. It was definitely refreshing hanging with the punks who valued gender equality, anti racism , and anti fascism. This counter culture for most part evaluated themselves in terms of balance in authenticity. Todays internet the consumption of meat seems totally aligned with certain kind of conservative masculinity; so much for gender quality there. Who would think that a meat eater with punk rock ideology could possibly hang up a leather jacket, could be pro-active towards animal rights and environmental control? Why can’t it be possible for the collective consciousness of “a wellness thing ” whether left-wing, conservative or radical right to have existential beliefs in which veganism is a political personal choice instead of engaging in traditional political protest. Unlike other forms of discrimination, the aversions towards vegans still escalated, but only to micro aggressions, such as “vegaphobia,” a phenomenon which demonstrated a sociological sphere of negativity out of Britain. This terminology might have changed but the sentiment remains much the same in the 21st century. Outside the polarized moral lens there are more than 11,000 scientists from around the world who have come together recently at the 40th anniversary of the first World Climate Conference who have outlined vital signs of human activities that contribute to global warming and climate impact including human and livestock population, meat production, deforestation and fossil fuel consumption, just name a few.
Cultural Vegans
In many cultures the practice of abstaining from meat production and consumption has established a history with their belief systems rooted in non-violence. Many Rastafarians and followers of Jainism, and certain sects of Buddhism have sworn off meat, fish, eggs and dairy for many centuries. And it seems many countries are changing legislation such as South Korea ending slaughter and consumerism of dog meat, NYC council just recently passing a package of animal-welfare bills banning forced fed products and California Governor Gavin Newsom passing a bill to ban the sale and manufacture of new fur statewide, a first in the United States. It also seems veganism’s political ideology to change the world has its own new traditions such as “Veganuary,” a UK non profit that inspires people to go meatless in the new year to embrace the “wellness-thing,” end suffering to animals and champion the planet mother earth; sounds pretty punk rock to me! As I personally try to move away from perhaps my own disparity and hegemony to meat and dietary ideologies of my own political personal choice I will rejoice in one my favorite anarcho-punk bands, Rudimentary Peni, song “1/4 Dead”:
“Three quarters of the world is starving, three quarters of the world is starving , the rest are dead the rest are dead, overdosed on insensitivity all varnished to crosses, Three quarters of the world is starving the rest are dead, the rest are dead". Rudimentary Peni - All Rights Reserved.
Free Subscription
Please help support Independent Media by subscribing below. This is a free subscription which will entitle you to free giveaways, books information, book previews, merchandise giveaways, event news, book signing info and more! Thank you. Community Publishing is from the community for the Community!
Curated by Mary Ann Gilbreth, Ed.D., Department of Teacher Education, Educational Leadership and Policy, at the University of New Mexico. This collections includes the work of her students from several of her Reading Methods Classes, promoting cultural diversity in the classroom.
From the Left Field Bleachers: COVID University
I once was a college sports fan. Way back when Patrick Ewing used to patrol the lane at Georgetown and the Big East was full of beast teams, I was a fan. As I got older I began turning away from the collegiate game because of the player turnover rate. Players in the NCAA were no longer staying for 4 years and it became harder and harder to identify with a team. I didn’t attend St. John’s University so what connection did I really have to their team if I couldn’t identify the players? To begin with I am no flag waver and besides my alma mater, Queens College, City University of New York is a DII school with an awesome Swimming Team, but hardly a big time sports program.
The Mountain West
When I moved to New Mexico, and attended the University of New Mexico for graduate school, I worked for one of the President’s of UNM where I received a birds-eye view into NCAA Division I athletics. NCAA Division I schools collectively see millions of dollars in revenue individually and billions collectively. The bulk of this money goes to pay Coaches/Administrator salaries and to pay for million dollar marketing campaigns.
Covid 19, as it has in many instances, has peeled the top off of many of our cherished institutions and revealed the true motivations behind their existence: unencumbered profit. It’s one thing to say to adults, “yes there is risk but either you play or don’t get paid.” It’s totally another thing to say to students, “yes there is increased risk but either you play or you can no longer attend school because we will strip your scholarship” and the amenities that it includes, which does not include – a salary.
Sports Center
Let’s be honest, the overwhelming college athletes we see on ESPN are pinning their hopes on becoming professionals in the major sports leagues. The number of athletes who make those major sports leagues is incredibly small. For example, according to the NCAA, only 1.2 of NCAA Mens Basketball Players are chosen for a realistic “chance” to play in the NBA. Similarly, only 1.6 of NCAA Football players are chosen for a realistic “chance” to play in the NFL.
The global pandemic has thrown a whole new set of variables into the equation: healthy life, death and/or a lifetime of illness. University administrators are asking student-athletes to risk their future for a few games that will generate loads of money for their respective universities but no hard cash for them or their loved ones.
Pay for Play for Pay
Under these circumstances, should we force these students to compete without financial compensation that is commensurate with the revenue they generate? Since the NCAA has forbade universities to pay their student-athletes, then these games need to be paused immediately while student athlete eligibility needs to be preserved until the Covid 19 pandemic subsides. What do you think, I would really like to know?
Alex Paramo – find out more about me and my previous articles.
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